on the historic..
New York City,
~ I present ~
Art Deco Panel titled: "Enlightenment" Nr D10
Modelled by Randall
In the lobbies, eight bronze reliefs designed by Rene Paul Chambellan are inset in the walls above ornate bronze radiator grilles. The bronze ornamentation continues in the waves on the floor, mailboxes, and elevator doors extending the general Art Deco style from the outside in.
Initially a dominant landmark in the midtown skyline, the building had an open air observatory on the 54th floor. Having been surpassed in height by a number of buildings, most notably the Chrysler Building located across the street, the observatory has been long closed. The self-supporting tower atop the building is the original transmission site for WQXR-FM from 1941 to the 1960s.
Irwin S. Chanin, was a self-made man - from poor immigrant to successful architect & developer. He wanted the building that bore his name to represent everything America and New York City meant for him, and could also be for all those that chose to seek it. He had Rene Chambellan work with Jacques Delamarre to develop a set of eight relief sculptures to represent this.
There were two lobbies in the building, each have four plaques, all of which were to represent a theme of "New York, the City of Opportunity." four of the plaques represent the Mental Life and four of them represent the Physical Life of the individual. Each plaque had a title:
Mental Life: "Enlightenment," "Vision," "Courage," "Achievement"
Physical Life: "Endurance," "Activity," "Effort," "Success"
Rene Paul Chambellan (September 15, 1893 – November 29, 1955) was an American sculptor, born in West Hoboken, New Jersey. Chambellan studied at the Ecole des Beaux-Arts and the Academie Julian in Paris and with Solon Borglum in New York City. Chambellan specialized in architectural sculpture. He was also one of the foremost practitioners of what was then called the "French Modern Style" and has subsequently been called Art Deco. He also frequently designed in the Greco Deco style.
Rene had many historic and significant buildings under his belt as a sculptor, including the NY Daily News Buildings, Buffalo City Hall, NY Life insurance building. Rene also designed medals, bronze doors, and the historic city seals and other artwork adorning the old Miller Highway (West Side Highway) that ran along Manhattan's West side along the North (Hudson) River until a collapse in 1973 resulted in it's eventual removal.
I always found these hyper-masculine figures in this era to be interesting, more so with the abstractness of this in Art Deco.
Chambellain's grandson Bob is working on a book, and a looks at the web site louisvilleartdeco.com will bring forth a treasure trove of studio photos and more information on Mr Chambellain and his many works;
Rene Paul Chambellan - One of Art Deco's Greatest Sculptors.
by Jim Patterson, with Bob Perrone.
Artists played a critical part in architecture during the late '20s, through the '30s, and up to WWII. Art Deco buildings wouldn't have their edgy character without the ornamentation supplied by these artists. A number of talented artists contributed to making each building into its own art gallery of sorts. Metalworkers, muralists, sculptors, designers.... They all played a key part. This feature article is about one of my favorite artists - sculptor Rene Paul Chambellan (pronounced with the "sh" soft sound: "Sham -bell - an").
Prices include shipping and are shown on each sculpture on the CART PAGES.
I use FEDEX ground service for all shipments in the lower 48 states. I do not ship outside the USA.
If you are looking for something for the garden or to build into a wall, I offer a growing number of hand-pressed, kiln fired red terracotta works. for many reasons, concrete is no longer available.
All of my interior sculptures have a heavy wire embedded on the back to hang them on the wall.
These hand sculpted models are created from scratch by Randall in water based clay, and typically take an average of 20-30 hours to set up, layout and sculpt each master model.
When the clay models are finished, they are permanently captured with silicone mold compounds which can pick up even a fingerprint and faithfully transfer it to a cast made in it. From the molds, interior cast-stone as well as a growing number of kiln fired terracotta sculptures are made available for clients to purchase.
Existing savaged pieces are limited to what happens to be for sale at high prices, often damaged, rarely found in pairs and being typically large in scale (meant to be seen from the street from 5 floors below) they are difficult to display in today's smaller homes and apartments. Instead of making molds of these pieces, Randall creates new original models based on authentic 19th century and early 20th century Victorian, Art Deco and Louis Sullivan style architectural sculptures. While I do have a small number of older designs directly molded from antique pieces, these are being phased out over time as I create my own original models.
By no means! keep in mind- your walls weigh thousands of pounds and support the roof. HOWEVER- do not use plastic or self adhesive picture hangars of any kind, or try to simply put a screw into the thin sheetrock-these will not hold, and are not designed to.
Install your mounting hooks or other hangars into the solid wood STUD inside the wall, these are spaced 16" apart. You should use an anchor rated to hold at least twice the shipping weight of the sculpture.
To show what a sheetrock wall can hold, here is a photo of two shelves I installed on my bedroom wall for original sculptures that I couldn't mount any other way, the brackets are screwed into the wall studs with 3" screws. The weight for the stone and terra-cotta shown-the top shelf; 175# and 125# for the lower shelf- 300# total.